Ｎａｄｉａ 高阶资料——ＡＲＴ ＭＵＳＥＵＭ

Shirley

バベルの塔（The Tower of Babel, 1563）
ピーテル・ブリューゲル Pieter Brueghel （1525-1569）
フランドル　　北方ルネサンス

旧約聖書・創世記11：天まで届く塔を建設しようとした傲慢な人間に対して，神が罰を与え，その結果世界にたくさんの言語が生まれたのである．



The Return of Neptune
コプレー（Copley）

オリンポスの１２神の一人．海の神．オリンポスの神々の中でも，最も恐れられている．この神の象徴は三叉の戟．気分屋で，船乗りや漁師たちに恩恵を与えたり，嵐を起こし船を難破させたりした．

Shirley

尼奥皇帝的房间——
注意，为什么选这些画都有道理的……请仔细看注解




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SATURN DEVOURING ONE OF HIS SONS

フランシスコ・デ・ゴヤ　Francisco de Goya (1746-1828)
スペイン ロココ，ロマン
プラド美術館
FRANCISCO DE GOYA Y LUCIENTES (1746-1828)

A really famous Goya's painting, the scary "Saturn devouring one of his sons", above Neo's head, in episode 22...Did you ever notice it?

A few notes...

Those guys at Gainax are incredible! All these cultural references demonstrate how Nadia is an authentic masterpiece of all anime history!

Why did they choose this picture? It seems that its hidden meaning is about the tyrant destroying every political dissenter, as NeoAtlantis wanted to do.

That's why it's quite important to notice how, in the original painting, Saturn (or Chrono) has TWO eyes, while in "Nadia" there's just ONE eye, similar to Gargoyle's.

Mural tranferred to Canvas
Museo del Prado, Madrid (Spain)

This disturbing painting is one of the fourteen known as the "black paintings" with which Goya decorated the dining an living rooms of his home, called the "Quinta del Sordo", which he bought in 1819 on the banks of Madrid's Manzanares river. Seventy years after they were painted, the house's owner decided to have them taken down and transferred to canvas given their deteriorated condition. Some years later he donated them to the Spanish state. "Saturn Devouring one of his Sons" was one of the six works decorating the dining room. It depicts a mythological theme- about the god Saturn or Cronos- acting as an allegorical representation of time. The god devoured, as time does to all that it creates, the children born to his wife Cibele: he feared that one would dethrone him.

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五月虐殺（THE 3th of MAY 1808 IN MADRID: THE EXECUTIONS ON PRINCIPE PIO HILL）

フランシスコ・デ・ゴヤ　Francisco de Goya (1746-1828)
スペイン ロココ，ロマン
プラド美術館
ナポレオンの攻撃に抵抗したマドリード市民はフランス軍に大量虐殺された．ゴヤは怒りを込めてこの絵を描いた．


Another painting by Goya! It's not easy to notice (get a look above and you'll understand why JJ), even if it appears more than once. A few basic informations about the painting:
Oil on canvas
Museo del Prado, Madrid

In 1814 with the Spanish defeat of Napoleon complete, Francisco Goya petitioned the Spanish government to allow him to, in his own words, "perpetuate with his brush the most notable and heroic actions of our glorious insurrection against the tyrant of Europe." The Spanish King Ferdinand VII responded by awarding Goya commissions for two large paintings. Together, The Second of May, 1808 and The Third of May, 1808 function to commemorate the brutality and upheaval of the French occupation of Spain (1808-1814).

In contrast, and as a complement to The Second of May image, The Third of May, 1808 offers a nocturnal recreation of another real event in which citizens of Madrid were brutally murdered. In this case, the chaos of the earlier image is replaced with a rigor of composition that is chilling in its effect. The dead Madrileo at the center of the earlier image is transformed into the white-shirted kneeling figure. The disorganized and vulnerable French soldiers of the previous day have regrouped to form a phalanx of faceless annihilators. What was a diagonal composition is now horizontal; the muted colors are now stark; the thinner and more even paint application has given way to a richer and more aggressive application of paint.



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"LA NASCITA DI VENERE"  ビーナスの誕生（The Birth of Venus）

サンドロ・ボッティチェリ （Sandro Botticelli，1445-1510）
イタリア 初期ルネサンス，フレンツェ派
ウフィツィ美術館
「春」と並ぶボッティチェリの代表作．メディチ家の御用画家として柔軟ででリズミカルな絵を描く．

A masterpiece of World art, a treasure made in Italy about 5 centuries ago, well known everywhere on Earth. What can I say? Neo's preferences about paintings were indisputable J
Basic informations about the painting:

1485 - Tempera on canvas
Firenze (Italy), Uffizi

The patron who commissioned the Botticelli painting for his country villa was a member of the rich and powerful family of the Medici. Either he himself, or one of his learned friends, probably explained to the painter what was known of the way the ancients had represented Venus rising from the sea. To these scholars the story of her birth was the symbol of mystery through which the divine message of beauty came into the world. One can imagine that the painter set to work reverently to represent this myth in a worthy manner. The action of the picture is quickly understood. Venus has emerged from the sea on a shell which is driven to the shore by flying wind-gods amidst a shower of roses. As she is about to step on to the land, one of the Hours or Nymphs receives her with a purple cloak. His picture forms, in fact, a perfectly harmonious pattern. Botticelli's Venus is so beautiful that we do not notice the unnatural length of her neck, the steep fall of her shoulders and the queer way her left arm is hinged to the body. This secular work was painted onto canvas, which was a less expensive painting surface than the wooden panels used in church and court pictures. A wooden surface would certainly be impractical for a work on such a scale. Canvas is known to have been the preferred material for the painting of non-religious and pagan subjects that were sometimes commissioned to decorate country villas in 15th-century Italy. ...



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アルノルフィニ夫婦像（The betrothal of the Arnolfini, 1434）
"THE ARNOLFINI MARRIAGE"
by Jan Van Eyck

ファン・エイク (Jan van Eyck, 1390-1441）
フランドル　初期フランドル派
ロンドン・ナショナル・ギャラリー
Wonderful, isn't it?
Basic informations about the painting:

1434 - Oil on wood
National Gallery, London

This title has traditionally been given to this painting because it was thought to be a form of ``wedding certificate'' for Giovanni Arnolfini and Giovanna Cenami, who married in Bruges in 1434. He was an Italian merchant, she the daughter of an Italian merchant. Probably the painter was asked to record this important moment as a witness, just as a notary might be asked to declare that he has been present at a similar solemn act. This would explain why the master has put his name in a prominent position on the picture with the Latin words 'Johannes de eyck fuit hic' (Jan van Eyck was here). In the mirror at the back of the room we see the whole scene reflected from behind, and there, so it seems, we also see the image of the painter and witness


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アダムの創造 (The Creation of Adam)

ミケランジェロ・ヴォナローティ (Michelangelo Buonarroti, 1475-1564）
イタリア　盛期ルネサンス
The Sistine Chapel

Basic informations about the painting:
1510 - Fresco
Sistine Chapel, Rome

An incredible scene from the Sistine Chapel ceiling, God creates Adam. The touch of God's hand awakens the newly created Adam and thus begins the life of human kind. The skillfull, symbolic depiction of this life-giving act is one of the most profound and inspiring artistic images ever painted. Commissioned by Pope Julius II in 1505, recently a medical student noticed how the right part of the fresco, showing God and the angels, resembles the human brain !


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NUDO DISTESO
モディリアーニ (Amadeo Modigliani, 1884-1920）
イタリア　エコール・ド・パリ

"NUDO SDRAIATO A BRACCIA APERTE"
(Naked woman laid down with wide open arms)
by Amedeo Modigliani

The biggest anacronism: Modigliani painted it in 1917!
Basic informations about the painting:

(1917)

In 1916, Modigliani started work on his series of nudes. Altogether, he painted over thirty of these nudes, a tenth of his total output of oil paintings. Interestingly, he never used the women with whom he had a lasting relationship like Beatrice Hastings or Jeanne Hebuterne to model for him when he painted nudes. Instead Modigliani prefered using housemaids or waitresses, although he also used professional models when art dealers paid their fee which, most often, he could not afford

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"THE SCREAM"
(or "The Cry"
by E. Munch

As you can see below, this one is anacronistic! In fact, it's dated 1893!
Basic informations about the painting:

1893 - Tempera and pastel on board.

Edvard Munch's most famous work has gained enormously in popularity, especially since World War II. Perhaps the existential fear here rendered by the artist has become more widespread in recent decades?

In the foreground, on a road with a railing along it, we see a figure: his hands raised to his head, eyes staring, mouth gaping. Further back are two gentlemen in top hats, and behind them a landscape of fjord and hills

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"PIETA' "
(Compassion)
by Giovanni Bellini

Wonderful...simply wonderful...Bellini was a genius...
Basic informations about the painting:

Tempera on wood
Pinacoteca di Brera, Milano (Italy)

Giovanni Bellini was in many ways the protagonist of a profound change in Venetian art. Among Venetian artists, Bellini led the way in fostering the style of "tonalism," which gave less importance to design and graphics while highlighting the tones of light and color. By the time Titian was starting his career, the elderly Bellini was breaking new ground again by adding mythological and allegorical scenes to the religious ones that had dominated the art of the fifteenth century


(Compassion)
by Giovanni Bellini

Shirley

伊莱克特的房间——


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神奈川沖浪裏
葛飾北斎 (1760-1849)
Katsushika Hokusai (1760-1849) is famous everywhere in the World as the most rapresentative Japanese artist ever. He painted almost all his life long and that's why his works are innumerable. When he was 60, he finally completed the so-called "Thirty-six Views of Mount Fuji", which features the same painting shown in Elektra's bedroom: Kanagawa oki nami ura (The Great Wave Off Kanagawa), now exposed at Metropolitan Museum of Art, in New York. J Click on the image to get more info about Hokusai



二代目市川高麗蔵の志賀大七
東洲斎写楽　 (17??-1801?)

The picture on the left was made by Toshusai Sharaku (17??-1801?) one of the greatest masters and one of the greatest innovative and creative geniuses of the Japanese woodblock print. The painting (on the left) is featured on a 140 pieces collection, painted during his short active career. In fact, as a woodblock artist seems to have spanned only ten months, at the end of 1794 and start of 1795. He appeared from nowhere, instantly attained the greatest heights of genius and then disappeared with equal rapidity.
Anyway his favourite subjects were typical actors of Kabuki theatre, even if Shakaku was pretty famous for his weird style, so we can consider his works as well as half-caricatures JJ




チョコレート（Chocolate,1895）
Theophile-Alexandre Steinlen(1859-1923)

The third poster was made by Theophile-Alexandre Steinlen (1859-1923), even if his Art Nouveau style may be confused with Toulouse-Lautrec's one.
Born in Lausanne, Switzerland, Steinlen moved to Paris at age 22 to pursue a career in art. He quickly won popular acceptance and produced literally thousands of illustrations, cartoons and drawings. Humanity and social sensitivity come through in his work.
Anyway there's something more to say...The poster Elektra has in his room, called "Chocolats", was made in 1895! That means SIX years later the events on the series (1889)! An anacronism!

jose444

只有第一副有注解,后面的都没有.后面只有关于画的基本介绍,并没有说明为什么要这样.

allen

维纳斯的诞生

       这是一个世界极的杰作。大约是在5个世纪之前意大利的宝物，是广为人知的。我不用说都知道，neo’s偏爱有关画的事实是无人不知的。
1485—帆布上的彩蛋画。
Firenze（italy），uffize

        那位为国家别墅委任的赞助商来自梅第其一个富裕而强拭的家庭的成员。他的一个博学的朋友向那个画家阐述过古人说的维纳斯出海面方式，对这些学者来说，维纳斯的出生是一个神秘的象征，通过这种象征，关于神的类似的讯息传到了世界，可以想象那个作家为了展示这个神话虔诚的开始工作。维纳斯作在一个贝壳上从海面上浮现，在一阵玫瑰雨中被风之神吹到岸边。照片是一个和谐的式样笔下的维纳斯是如此的完美以至于我门忽略了她的不足帆布画在第15世纪成了意大利的异教主题

allen

夫妻像

非常经典，不是吗 ？
关于画的资讯

1434—涂油木版画
伦敦

这幅画有一个传统的名字因为他被认为是一种婚姻证书的方式之——1843年在bruges结婚
她是一个意大利商人 她是意大利商人的女儿，这是一个需要见证的时刻。同时也解释了为什么这位大师要把自己的名字写在画显眼的位置上，通过房间后部的镜子我们可以看到镜子中反射出的整个场景，而在那里我门似乎也可以看到了画家自己的样子 以及对婚礼的见证。

allen

上帝创造亚当

关于画的资讯；
1510---fresco

作为西斯廷教堂顶上的壁画向世人展示了一幅令人难以置信的景象---上帝创造亚当。上帝之手一触唤醒了新创造出的亚当，人类的生活也由此展开，着幅画描绘了人类诞生。因其技法纯熟，象征丰富而成为人类历史上曾有过的 意义最深远最富有启发性的壁画，此画是在1505年教皇julius二世的主持在完成的，最近一位医学学生注意到壁画中有上帝和天使的那部分与人类大脑的样子是何其的相似。

allen

尖叫

1893—母配拉画法（彩蛋画）蜡笔画

edoardmunch’s的著作深受欢迎，尤其是从二战时期开始也许是因为近10年来艺术家提出的 存在性恐惧在这里愈加扩散了？

在前景中一个扶手沿着一条公路延伸，我们可以看到一个人（形）手举到头的高度眼睛盯着某处 ，嘴里念念有词，这景里是两个带着高帽子的男人，在他们身后是一片小山。

allen

神奈川沖浪裏

1760—1849

Katsushika Hokusai（1760—1849）是一个世界文明的超现实主义的艺术家，他终身做画，作品丰富，60岁时他最终完成了“富士山三十六景”这幅画的风格与elektra’s卧室里的神奈川冲浪的风格一致，现在这幅画陈列在伦敦艺术博物馆里。

allen

这幅画是toshusai sharaku 所做的， 他在日本的雕刻印刷方面是一个伟大的艺术大师也是一个伟大的创新天才。是以140个硬币收藏为特征的，是在他的短暂，活跃的事业时期的作品，事实上他作为一个雕刻艺术家好象只有10个月久在1974年末到1975年初那个时期他从不出名到出名以至于成为最伟大的艺术大师然后有同样迅速的消失了。
不管怎样他最喜欢的主题是歌剧场的专业演员甚至是shakaku也是他怪异的风格而如此著名，因此我们能注意到他的作品和他的漫画手法一样好。